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In the Shadow of Girls in Blossom is the second volume of Marcel Proust's widely recognised masterpiece In Search of Lost Time (1913-27), one of the most important novels of the twentieth century, which ponders questions of time, memory, identity, sensation, art and existence. An accomplished new translation by renowned translator Charlotte Mandell that will be of interest to readers new to Proust and those already familiar with the author and his work. Edward Hughes' introduction offers a stimulating and informative support to all readers of Proust, together with the extensive explanatory notes, a chronology, and suggested further reading. Part of a new Oxford World's Classics edition of the complete In Search of Lost Time in seven volumes, with new translations into English, introduced and annotated by leading experts. Proust’s In the Shadow of Girls in Blossom is forthcoming from Oxford World’s Classics in March 2025: https://global.oup.com/ukhe/product/in-the-shadow-of-girls-in-blossom-9780192845672?cc=us&lang=en Charlotte Mandell has translated over fifty books, including works by Maurice Blanchot, Jean-Luc Nancy, Mathias Énard, and Jonathan Littell. She recently received the honor of Chevalier dans l’Ordre des Arts et des Lettres from the French government—the video of the ceremony is here: https://youtu.be/n06IwsTfjjA?si=0WNyZB7zSO2UKbu6 In May 2024, she received the Thornton Wilder Translation Prize from the Academy of Arts and Letters. Her website: https://www.charlottemandell.com/ Twitter: https://x.com/avecsesdoigts And she just recently joined Instagram, please join her there! https://www.instagram.com/mandellcharlotte/

In the Shadow of Girls in Blossom is the second volume of Marcel Proust's widely recognised masterpiece In Search of Lost Time (1913-27), one of the most important novels of the twentieth century, which ponders questions of time, memory, identity, sensation, art and existence.

An accomplished new translation by renowned translator Charlotte Mandell that will be of interest to readers new to Proust and those already familiar with the author and his work.
Edward Hughes' introduction offers a stimulating and informative support to all readers of Proust, together with the extensive explanatory notes, a chronology, and suggested further reading.

Part of a new Oxford World's Classics edition of the complete In Search of Lost Time in seven volumes, with new translations into English, introduced and annotated by leading experts.

Proust’s In the Shadow of Girls in Blossom is forthcoming from Oxford World’s Classics in March 2025: https://global.oup.com/ukhe/product/in-the-shadow-of-girls-in-blossom-9780192845672?cc=us&lang=en

Charlotte Mandell has translated over fifty books, including works by Maurice Blanchot, Jean-Luc Nancy, Mathias Énard, and Jonathan Littell. She recently received the honor of Chevalier dans l’Ordre des Arts et des Lettres from the French government—the video of the ceremony is here: https://youtu.be/n06IwsTfjjA?si=0WNyZB7zSO2UKbu6

In May 2024, she received the Thornton Wilder Translation Prize from the Academy of Arts and Letters.

Her website: https://www.charlottemandell.com/
Twitter: https://x.com/avecsesdoigts
And she just recently joined Instagram, please join her there! https://www.instagram.com/mandellcharlotte/

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LktxWDd6d0xkZkVv

Charlotte Mandell reads from IN THE SHADOW OF YOUNG GIRLS IN BLOSSOM (Oxford World's Classics, 2025)

21 hours ago

Mijo, a soldier in the Nazi-allied Ustasa force, has returned to his village at the end of the war. He's hiding in a hole in the woods, watching as the soldiers who want him dead return again and again to his house, disturbing his wife and children at all times of the day. If he can just wait them out, the atrocities of the war and his involvement in it will be forgotten, and then he can have what he really wants: a quiet life farming his land with his family. Or so he naively believes. How did Mijo become the monster we encounter in these pages? Damir Karakaš, a war reporter who witnessed the horrors of the breakup of Yugoslavia firsthand, examines the recent history of an unsettled region in evocative prose, contrasting the beauty of nature against the failings of people. In four fragmentary stories set in the mountainous Lika region of Croatia, Mijo’s life unfurls not with the chronology of time, but in episodes, each in flow with the textural grain of this remote earth. With the sparest of prose, Karakaš has crafted an exquisite sense of place and of family within it. The result is among the most powerful modern homages to a landscape and its people. It is also one of the most subtle evocations of the dark forces at play in the Balkans. CELEBRATION marks the first time any of this award-winning author’s ten novels and three collections of stories has been translated into English. To buy (UK): https://uk.bookshop.org/p/books/celebration-damir-karakas/7699124?ean=9781917254021 To buy (US): https://www.catranslation.org/shop/book/celebration/ Author bio: Damir Karakaš is one of Croatia’s most important contemporary writers. He is also a playwright, musician, and journalist. In 2021 he won the prestigious Meša Selimović award for best novel in the Balkans. Born in 1967 in the mountainous region of Lika, he later studied law and agronomy in Zagreb. During the 1990s he worked as a war reporter from the front lines in Croatia, Bosnia and Kosovo for Večernji list. Translator bio: Ellen Elias-Bursać is an award-winning translator of Bosnian, Croatian, and Serbian, who has served as the president of the American Literary Translators’ Association. Between 1972 and 1990 she lived in Zagreb and for six years she worked in the English Translation Unit of the International Criminal Tribunal for the former Yugoslavia in the Hague. She is the translator of celebrated authors including Dubravka Ugrešić and of Daša Drndić, author of Trieste.

Mijo, a soldier in the Nazi-allied Ustasa force, has returned to his village at the end of the war. He's hiding in a hole in the woods, watching as the soldiers who want him dead return again and again to his house, disturbing his wife and children at all times of the day. If he can just wait them out, the atrocities of the war and his involvement in it will be forgotten, and then he can have what he really wants: a quiet life farming his land with his family. Or so he naively believes.
How did Mijo become the monster we encounter in these pages? Damir Karakaš, a war reporter who witnessed the horrors of the breakup of Yugoslavia firsthand, examines the recent history of an unsettled region in evocative prose, contrasting the beauty of nature against the failings of people.
In four fragmentary stories set in the mountainous Lika region of Croatia, Mijo’s life unfurls not with the chronology of time, but in episodes, each in flow with the textural grain of this remote earth. With the sparest of prose, Karakaš has crafted an exquisite sense of place and of family within it. The result is among the most powerful modern homages to a landscape and its people. It is also one of the most subtle evocations of the dark forces at play in the Balkans.

CELEBRATION marks the first time any of this award-winning author’s ten novels and three collections of stories has been translated into English.

To buy (UK):
https://uk.bookshop.org/p/books/celebration-damir-karakas/7699124?ean=9781917254021
To buy (US): https://www.catranslation.org/shop/book/celebration/

Author bio:
Damir Karakaš is one of Croatia’s most important contemporary writers. He is also a playwright, musician, and journalist. In 2021 he won the prestigious Meša Selimović award for best novel in the Balkans. Born in 1967 in the mountainous region of Lika, he later studied law and agronomy in Zagreb. During the 1990s he worked as a war reporter from the front lines in Croatia, Bosnia and Kosovo for Večernji list.

Translator bio:
Ellen Elias-Bursać is an award-winning translator of Bosnian, Croatian, and Serbian, who has served as the president of the American Literary Translators’ Association. Between 1972 and 1990 she lived in Zagreb and for six years she worked in the English Translation Unit of the International Criminal Tribunal for the former Yugoslavia in the Hague. She is the translator of celebrated authors including Dubravka Ugrešić and of Daša Drndić, author of Trieste.

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LmdnWDVpa3FaRTdj

Ellen Elias-Bursać and author Damir Karakaš read from CELEBRATION (Selkies House/Two Lines Press)

23 Oct, 2024 6:00 pm

‘At Night I Rise to Mop the Floor’, by Yu Xinqiao, translated by Anne Henochowicz, appears on Paper Republic, the not-for-profit website run by translators and promoting Chinese literature in translation. It forms part of our latest free-to-read Read Paper Republic series, entitled ‘Home’, which encompasses themes of refuge, recollections, promised lands, prisons; the arms of family, and four concrete walls in the sky … Author bio Yu Xinqiao is one of the most influential contemporary Chinese poets. Born in Fujian and raised in Zhejiang, Yu Xinqiao dropped out of school to work as a labourer. That didn’t stop him reading (Dante included), and writing novels and poetry, and by age seventeen (1985) he was beginning to get noticed and published. Yu has always pushed boundaries politically; his poem ‘If I Have to Die’, set to music, has become an enormous arena-rock hit and stirring anthem of defiance. But as Anne Henochowicz explains, he can also be playful and tender. Translator bio Anne came to literary translation at China Digital Times, where she was Translations Coordinator from 2011 to 2016, and again from 2020 to 2022. There, she first read and translated essayists such as Li Jingrui and Tang Danhong, experimental poet Yu Xiuhua, and many ingenious bloggers and journalists. She also edited the Chinese Corner column at the Los Angeles Review of Books China Channel. She lives near Washington, D.C.

‘At Night I Rise to Mop the Floor’, by Yu Xinqiao, translated by Anne Henochowicz, appears on Paper Republic, the not-for-profit website run by translators and promoting Chinese literature in translation. It forms part of our latest free-to-read Read Paper Republic series, entitled ‘Home’, which encompasses themes of refuge, recollections, promised lands, prisons; the arms of family, and four concrete walls in the sky …

Author bio

Yu Xinqiao is one of the most influential contemporary Chinese poets. Born in Fujian and raised in Zhejiang, Yu Xinqiao dropped out of school to work as a labourer. That didn’t stop him reading (Dante included), and writing novels and poetry, and by age seventeen (1985) he was beginning to get noticed and published. Yu has always pushed boundaries politically; his poem ‘If I Have to Die’, set to music, has become an enormous arena-rock hit and stirring anthem of defiance. But as Anne Henochowicz explains, he can also be playful and tender.

Translator bio

Anne came to literary translation at China Digital Times, where she was Translations Coordinator from 2011 to 2016, and again from 2020 to 2022. There, she first read and translated essayists such as Li Jingrui and Tang Danhong, experimental poet Yu Xiuhua, and many ingenious bloggers and journalists. She also edited the Chinese Corner column at the Los Angeles Review of Books China Channel. She lives near Washington, D.C.

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LmZfWmkyTWZiQ2tN

Anne Henochowicz and poet Yu Xinqiao read from 'At Night I Rise to Mop the Floor' (Paper Republic)

16 Oct, 2024 6:00 pm

Two occupied buildings: one the former headquarters of the NO-DO (a Francoist propaganda outlet) that has been taken over by a small group of fascists, the other the ruins of some abandoned film studios that have been converted into the barracks of a Marxist-Leninist cell. Drifting between these two spaces are Santiago and Ramiro; two characters who, although finding solace in two polarised political groups, cross paths and change each other’s lives. Discursive and devastating, Duval’s first novel is imbued with the same traits as the era she portrays. A sad, passionate, and all too real portrait of an ever more divided world, Duval’s story, in her powerful, shocking, yet considered prose, reminds us of the uncomfortable, but somewhat comforting similarities we may find with the “enemy”. To order: https://www.fumdestampa.com/shop/p/madridwillbetheirtomb Press: ‘What I tell here, after all, is a rather small story of love and violence, comments Elizabeth Duval in the author’s note to her scorching, exhilarating Madrid Will Be Their Tomb (fluently translated by Alice Banks), a novel of deep political and philosophical engagement, indelible imagery and great energy.’ Catherine Taylor, The Irish Times Selected for the Irish Times’ Best Fiction in Translation of 2023 ‘Duval narrates disorder and subversion with a writing that is sometimes contained, sometimes runaway, sometimes ironic and sometimes poetic. Modest and powerfully beautiful, this is writing that illuminates human mystery and lifts the reader into the air, leaving them on an edge where their convictions tremble and shake.’Juan Manuel de Prada, ABC ‘A marvellous novel.’ Nadal Suau, El Español Bios: Elizabeth Duval is a Spanish novelist, poet, philosopher, philologist, critic, and trans rights activist. She is the current secretary of communication for the electoral alliance Sumar. In 2020 she published Reina, the first memoir in Spain by a woman from GenZ, as well as Excepción, a verse poem. In 2021 she published the essay Después de lo trans and the novel Madrid será la tumba. In 2023 she published Melancolía, a sociopolitcal essay on how to recover hope when facing a grim future. She is also a regular contributor for national media outlets like El Diaro, Público, El País and La Sexta. Alice Banks is a translator from Spanish and French based in Madrid. In December 2022, Alice’s translation, Deranged As I Am, by Ali Zamir, was published by Fum d’Estampa Press. Her latest translation of Elizabeth Duval’s novel, Madrid Will Be Their Tomb, was published in October 2023. Alice is currently collaborating with Hablemos, escritoras to translate their podcasts and content. She also works as an Editorial Assistant for The European Literature Network, where she writes the monthly column, ‘La Española’. More recently with the European Literature Network, she worked as Assistant Editor on The Spanish Riveter magazine, to which she contributed several translations and articles. Alice is currently working on a co-translation of Lara Moreno’s latest novel, La ciudad, with Katie Whittemore (forthcoming with Open Letter) and a translation of Anne Sénès’ Chambre double, which will be published in June 2025 with Orenda.

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YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LktQdW9ub1BBc0ww

Alice Banks reads from Elizabeth Duval's MADRID WILL BE THEIR TOMB (Fum d'Estampa Press, 2023)

9 Oct, 2024 6:00 pm

Giovanni Pascoli (1855–1912) is renowned as one of the founders of modern Italian poetry. Embodying the Zeitgeist of fin-de-siècle Italy, his works are inspired by French Symbolism and Decadentism. They also draw on the classical tradition so alive in Italian culture. His unique poetic voice is filled with traditional metrical forms, an uncanny use of onomatopoeic language, and a multilingual vocabulary. He fills his depiction of nature with haunting images and a disquieting sensitivity. Convivial Poems (Poemi Conviviali) is named for Il Convito, the literary journal where these twentu poems first appeared. The collection represents one of Pascoli’s highest achievements. Like T.S. Eliot’s The Waste Land, James Joyce’s Ulysses, and contemporary post-modernist works, it revisits the classical world to draw new symbols for the modern condition. Alexandros Alexandros is the Greek spelling of Alexander, and the protagonist of this poem is Alexander the Great. Here, Alexander has reached the end of known world, of which he has conquered a vast portion, driven as he was by a desire to gain not only power, but also knowledge, and to go where no one else had gone before. As he contemplates the ocean, the ultimate frontier, he muses on the meaning of desire. All things desired and longed for seem greater before we obtain them: dream is far better than reality. At the end of his long and victorious journey, Alexander is confronted with the illusory nature of human ambition. The translators: Elena Borelli teaches Italian and Intercultural Studies at King’s College London, UK. Her research focuses on the culture and literature of the late nineteenth century in Europe. She has published extensively on the notion of desire and issues of translation and reception during that time, as well as on the poets Giovanni Pascoli and Gabriele D’Annunzio. She is also a translator, producing (together with James Ackhurst) translations from contemporary and modern poets for The Journal of Italian Translation. James Ackhurst is a writer and translator based in Wellington, New Zealand. He has published translations (produced with Elena Borelli) in The Journal of Italian Translation and poems, stories, and criticism in takahe, Turbine, Poetry New Zealand, Snorkel, Pericles at Play, Poetry Salzburg Review, Quadrant and The Pantograph Punch. An Ancient Language for a Modern Soul: Poemi Conviviali by Giovanni Pascoli A podcast containing the poems read by actors and translators, with scholars and translators discussing the themes and characters of Poemi Conviviali. The poems are accompanied by harp music written specifically for the poems. https://www.poemiconviviali.com/ Press Reviews From Reading in Translation Borelli and Ackhurst’s translation restores the knotty and convulsive energy that animates Pascoli’s figures, less epic heroes and more fragile human beings, who stare into the abyss of modern life with bubbling restlessness, existential angst, and occasionally serene resignation. From Gradiva The highlights of this book are too numerous to be listed, so I will give a brief recount. In her introduction, Borelli claims that Alexandros is an “exquisite poem” (xii), and it remains thus in English, as well. From Annali di Italianistica Convivial Poems imbues vibrancy and life into Pascoli’s verse through a refreshing diction that speaks to the present.

Giovanni Pascoli (1855–1912) is renowned as one of the founders of modern Italian poetry. Embodying the Zeitgeist of fin-de-siècle Italy, his works are inspired by French Symbolism and Decadentism. They also draw on the classical tradition so alive in Italian culture. His unique poetic voice is filled with traditional metrical forms, an uncanny use of onomatopoeic language, and a multilingual vocabulary. He fills his depiction of nature with haunting images and a disquieting sensitivity.

Convivial Poems (Poemi Conviviali) is named for Il Convito, the literary journal where these twentu poems first appeared. The collection represents one of Pascoli’s highest achievements. Like T.S. Eliot’s The Waste Land, James Joyce’s Ulysses, and contemporary post-modernist works, it revisits the classical world to draw new symbols for the modern condition.

Alexandros
Alexandros is the Greek spelling of Alexander, and the protagonist of this poem is Alexander the Great. Here, Alexander has reached the end of known world, of which he has conquered a vast portion, driven as he was by a desire to gain not only power, but also knowledge, and to go where no one else had gone before. As he contemplates the ocean, the ultimate frontier, he muses on the meaning of desire. All things desired and longed for seem greater before we obtain them: dream is far better than reality. At the end of his long and victorious journey, Alexander is confronted with the illusory nature of human ambition.

The translators:

Elena Borelli teaches Italian and Intercultural Studies at King’s College London, UK. Her research focuses on the culture and literature of the late nineteenth century in Europe.
She has published extensively on the notion of desire and issues of translation and reception during that time, as well as on the poets Giovanni Pascoli and Gabriele D’Annunzio. She is also a translator, producing (together with James Ackhurst) translations from contemporary and modern poets for The Journal of Italian Translation.

James Ackhurst is a writer and translator based in Wellington, New Zealand. He has published translations (produced with Elena Borelli) in The Journal of Italian Translation and poems, stories, and criticism in takahe, Turbine, Poetry New Zealand, Snorkel, Pericles at Play, Poetry Salzburg Review, Quadrant and The Pantograph Punch.

An Ancient Language for a Modern Soul: Poemi Conviviali by Giovanni Pascoli

A podcast containing the poems read by actors and translators, with scholars and translators discussing the themes and characters of Poemi Conviviali. The poems are accompanied by harp music written specifically for the poems.

https://www.poemiconviviali.com/

Press Reviews

From Reading in Translation

Borelli and Ackhurst’s translation restores the knotty and convulsive energy that animates Pascoli’s figures, less epic heroes and more fragile human beings, who stare into the abyss of modern life with bubbling restlessness, existential angst, and occasionally serene resignation.

From Gradiva

The highlights of this book are too numerous to be listed, so I will give a brief recount. In her introduction, Borelli claims that Alexandros is an “exquisite poem” (xii), and it remains thus in English, as well.

From Annali di Italianistica
Convivial Poems imbues vibrancy and life into Pascoli’s verse through a refreshing diction that speaks to the present.

YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3Lnh5Tk1YMllDMHBj

James Ackhurst and Elena Borelli read 'ALEXANDROS' from Giovanni Pascoli's CONVIVIAL POEMS

2 Oct, 2024 6:00 pm

In 1939, Hitler's tyranny approaches western Poland. A prosperous Jewish family--Julius and Josefina Kohn and their two teenaged children, Peter and Suzanna--flee their homeland, embarking on an unexpected odyssey of six-thousand arduous miles. They evade Nazi capture, only to be arrested by the Soviets, who have invaded Poland from the east. Deported to northern Russia, they endure savage conditions during eighteen months of forced labor in a prison camp, where death lurks around every corner. When Hitler breaks a secret pact with Stalin, and the Nazis invade the USSR, the release of Polish prisoners in the Soviet Gulag is negotiated. The Kohn family's journey continues, from Russia to Central Asia and across the Caspian Sea to Persia. Now in a foreign land as impoverished refugees, their hometown occupied by the Nazis, and their relations, friends, and neighbors displaced across the world, can they discover generosity, hope, and even love in Tehran? From award-winning author Kim Dana Kupperman, this dramatic novel, inspired by a true story, occurs during one of the Holocaust's lesser-known episodes, the deportation into the Soviet Gulag of 1.5-2 million Polish citizens at the start of World War II. With an Afterword by Rabbi Zvi Dershowitz. To order (English edition): https://www.amazon.co.uk/Six-Thousand-Miles-Home-Inspired/dp/1732349703/ref=tmm_pap_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.8illzM72zKY9mNSvAVeFluwhdgEhrto0HxbMF8U3sjBsULoe_sgD1Bop3a_CH8L-ItmwhJ1pgcV9A9zRkxRhrg.otFCEzDG2pmhYm3vPYTekA-l6IrkWBePiN1uZT3tyPI&qid=1727103077&sr=8-1 To order (Spanish edition): https://www.amazon.com/largo-camino-casa-inspirada-historia/dp/1732349738/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= Penélope Johnson is an Associate Professor at the School of Modern Languages and Cultures in Durham University. She is currently the co-director of the MA in Translation Studies at Durham University. She has published articles on poetry translation, translating multilingual texts and translator training, and is the author of WRITING A TRANSLATION COMMENTARY (Routledge, 2023). Dr. Penélope Johnson es una Assistant Professor en la School of Modern Languages and Cultures en la Universidad de Durham (Gran Bretaña). Su especialidad es la traducción y la enseñanza de lenguas extranjeras. Su trabajo de investigación está basado en la teoría poscolonial de la traducción y el transnacionalismo. Ha publicado artículos sobre traducción e ideología con un enfoque en la selección de textos, la antologización, la re-traducción y la escritura de la frontera. Actualmente está investigando el papel de la mediación lingüística en las peregrinaciones. Kim Dana Kupperman is the author of the award-winning essay collection I Just Lately Started Buying Wings: Missives from the Other Side of Silence; a memoir, The Last of Her; and a historical novel, Six Thousand Miles to Home. She is the editor of You: An Anthology of Essays Devoted to the Second Person and the founding editor of Welcome Table Press, whose mission is to publish and celebrate the essay, in all its forms.

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YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LjluNUxSOThuY3g4

Penélope Johnson reads from her translation of 6,000 MILES TO HOME (Legacy Edition Books, 2018)

30 Sep, 2024 12:00 pm

Two mittens. A pair of friends. The little red left mitten and the little red right mitten enjoy their life as a pair, keeping Little One’s hands warm and toasty. But one day Little One loses the right mitten—and it’s off on an adventure through the forest! Passed among various woodland creatures, the little right mitten soon becomes tattered—yet it remains cherished, always, by those who find it. Meanwhile, the left mitten can’t help but worry about its old pal, even after a new right mitten is knitted. Will these dear friends ever see each other again? “After a child’s mittens become separated during a snowy outing, one provides comfort to a series of animals in this meditative story, which imbues its woolen subjects with tender emotion.” —PUBLISHERS WEEKLY "First published in Japan, this picture book will speak to children whether or not their winters bring snow.” —BOOKLIST “The story seems simple, but like all good picture books, Two Little Red Mittens is imbued with multiple levels of meaning and depth.” —NANETTE MCGUINNESS, Global Literature in Libraries Initiative About the Author: Kirin Hayashi is the author of multiple picture books published in Japan. She writes poetry, picture books, translation works, and lyrics, including the children’s book Nibanme No Warumono, which won the 2022 Grand Prix of the Librarians’ Awards hosted by Nippan. Her works are also popular in China, Korea, and Taiwan. She and Chiaki Okada also collaborated on the picture book Akari (Light). About the Illustrator: Chiaki Okada has illustrated books by authors from around the world, including her husband, Ko Okada. She recently illustrated For All the Stars Across the Sky, written by Karl Newson, which was her first picture book published in English and was named an Amazon Editor’s Pick for Ages 3 to 5. She lives in Japan. Follow her on Instagram @chiakiokadapicturebook. About the Translator: Avery Fischer Udagawa is an award-winning translator of children’s books from Japanese, including the 2022 Mildred L. Batchelder Award winner Temple Alley Summer, written by Sachiko Kashiwaba and illustrated by Miho Satake. She writes, translates, and works in international education near Bangkok, Thailand, where she lives with her bicultural family. Learn more at www.averyfischerudagawa.com.

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YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LkRzUG5LLUtGT0Yw

Avery Fischer Udagawa reads from Kirin Hayashi's TWO LITTLE RED MITTENS (Amazon Crossing Kids, 2024)

29 Sep, 2024 6:00 pm

A twenty-something gaúcha, Camila, has just moved to São Paulo after being dumped and dropping out of her journalism degree in Porto Alegre. In a sardonic yet earnest tone, Camila chronicles her successes and failures juggling depression, writing, dating, and her job at a record store where she revels in rock music all day long. Being an "internet writer," Averbuck also expertly weaves questions of Anglophone media influence and globalization into Brazilian culture in the early 2000s in a way that does not chastise Camila (and other young Brazilians) for enjoying imports such as The Strokes, but rather places millennial Brazilians in dialogue with their foreign counterparts. This translation will be published in a forthcoming issue of Absinthe, the University of Michigan's literary translation journal. Read Absinthe here: https://journals.publishing.umich.edu/absinthe/ Author bio: Clarah Averbuck is a gaúcha writer. She began her writing career online (particularly with the e-zine CardosOnline) and is one of the pioneers of the Brazilian blogosphere. Averbuck has published seven novels as well as the blog Brazileira!Preta, a cult favorite online. Her works have been adapted for the theatre and film. Translator bio: Júlia Irion Martins is a Brazilian-American translator and scholar. She is a PhD candidate at the University of Michigan's Department of Comparative Literature and Digital Studies Institute. Currently, Martins is guest editing a special issue of Absinthe: World Literature in Translation on contemporary Brazilian literature. Buy the book: https://www.amazon.com/M%C3%A1quina-Pinball-Clara-Averbuck/dp/8587193740 or https://www.estantevirtual.com.br/livros/clarah-averbuck/maquina-de-pinball/205125889 Social media: https://www.instagram.com/caverbuck/?hl=en We hope you’ve enjoyed this reading. If you can spare any money for flood relief, please click the link below to our GoFundMe page. Thank you! https://www.gofundme.com/f/donate-to-postflood-relief-in-southern-brazil

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YouTube Video VVVqYXE5T1Nwb0Vlb2hQbUs4WlQtQzd3LkZnSHRXTTVJemMw

Júlia Irion Martins reads from Clarah Averbuck's MÁQUINA DE PINBALL (Absinthe, Univ. of Michigan)

27 Sep, 2024 10:00 am

For the young, blind heroine of The Invisible Elephant, the world is a thrilling place full of sounds, smells, and sensations. She encounters her surroundings with joy and an impressively creative imagination. In four charming stories, we accompany her to the zoo, the museum, an art class, and get a peek into her wonderfully magical mind, a place where it’s only natural that her grandfather's walking stick transforms into a horse and a sled becomes a whale. When the time comes for her to learn braille, we watch her family and friends cheer her on as she discovers how to navigate the world in her own way. With gorgeous, inventive illustrations by Yulia Sidneva and artfully translated by Ruth Ahmedzai Kemp, The Invisible Elephant is a playful, engaging book that helps kids value all the different ways of seeing the world. To buy: https://restlessbooks.org/bookstore/the-invisible-elephant "Tirelessly cheerful...In Kemp’s applause-worthy translation, verbs empower, descriptions tickle and exclamation marks abound. Everything is exciting and full of wonder."—Aditi Sriram, The New York Times “A joyous story of unique abilities and possibilities.”—Booklist “A set of delightfully crafted tales, which open up a new view to the world around us while adding a small touch of imagination along the way.”—Bookworm for Kids Anna Anisimova is a journalist, editor, and children’s book writer. Born and raised in the north of the Irkutsk region, in the village of Kropotkin, Siberia, Anisimova graduated with a degree in journalism from Novosibirsk State University. Anismova has written more than 10 books and been nominated for several literary awards including the Samuil Marshak Literary Prize, the New Children’s Book Prize, the Vladislav Krapivin International Children’s Literature Prize and others. Ruth Ahmedzai Kemp is a literary translator working from Arabic, German and Russian into English. She translates fiction and nonfiction, and has a particular interest in history, historical fiction, and writing for children and young adults.Her translations include books from Germany, Jordan, Morocco, Palestine, Russia, Switzerland and Syria. Ruth is a passionate advocate of world literature for young people and diversity in children’s publishing. She is co-editor of ArabKidLitNow! and Russian Kid Lit blogs, and writes about global reading for young people at World Kid Lit, Words Without Borders, and World Literature Today.

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Ruth Ahmedzai Kemp reads from Anna Anisimova's THE INVISIBLE ELEPHANT (Restless Books, 2023)

25 Sep, 2024 6:00 pm

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Children’s Lit and YA

Two mittens. A pair of friends. The little red left mitten and the little red right mitten enjoy their life as a pair, keeping Little One’s hands warm and toasty. But one day Little One loses the right mitten—and it’s off on an adventure through the forest! Passed among various woodland creatures, the little right mitten soon becomes tattered—yet it remains cherished, always, by those who find it. Meanwhile, the left mitten can’t help but worry about its old pal, even after a new right mitten is knitted. Will these dear friends ever see each other again? “After a child’s mittens become separated during a snowy outing, one provides comfort to a series of animals in this meditative story, which imbues its woolen subjects with tender emotion.” —PUBLISHERS WEEKLY "First published in Japan, this picture book will speak to children whether or not their winters bring snow.” —BOOKLIST “The story seems simple, but like all good picture books, Two Little Red Mittens is imbued with multiple levels of meaning and depth.” —NANETTE MCGUINNESS, Global Literature in Libraries Initiative About the Author: Kirin Hayashi is the author of multiple picture books published in Japan. She writes poetry, picture books, translation works, and lyrics, including the children’s book Nibanme No Warumono, which won the 2022 Grand Prix of the Librarians’ Awards hosted by Nippan. Her works are also popular in China, Korea, and Taiwan. She and Chiaki Okada also collaborated on the picture book Akari (Light). About the Illustrator: Chiaki Okada has illustrated books by authors from around the world, including her husband, Ko Okada. She recently illustrated For All the Stars Across the Sky, written by Karl Newson, which was her first picture book published in English and was named an Amazon Editor’s Pick for Ages 3 to 5. She lives in Japan. Follow her on Instagram @chiakiokadapicturebook. About the Translator: Avery Fischer Udagawa is an award-winning translator of children’s books from Japanese, including the 2022 Mildred L. Batchelder Award winner Temple Alley Summer, written by Sachiko Kashiwaba and illustrated by Miho Satake. She writes, translates, and works in international education near Bangkok, Thailand, where she lives with her bicultural family. Learn more at www.averyfischerudagawa.com.

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Avery Fischer Udagawa reads from Kirin Hayashi's TWO LITTLE RED MITTENS (Amazon Crossing Kids, 2024)

Translators Aloud 29 Sep, 2024 6:00 pm

For the young, blind heroine of The Invisible Elephant, the world is a thrilling place full of sounds, smells, and sensations. She encounters her surroundings with joy and an impressively creative imagination. In four charming stories, we accompany her to the zoo, the museum, an art class, and get a peek into her wonderfully magical mind, a place where it’s only natural that her grandfather's walking stick transforms into a horse and a sled becomes a whale. When the time comes for her to learn braille, we watch her family and friends cheer her on as she discovers how to navigate the world in her own way. With gorgeous, inventive illustrations by Yulia Sidneva and artfully translated by Ruth Ahmedzai Kemp, The Invisible Elephant is a playful, engaging book that helps kids value all the different ways of seeing the world. To buy: https://restlessbooks.org/bookstore/the-invisible-elephant "Tirelessly cheerful...In Kemp’s applause-worthy translation, verbs empower, descriptions tickle and exclamation marks abound. Everything is exciting and full of wonder."—Aditi Sriram, The New York Times “A joyous story of unique abilities and possibilities.”—Booklist “A set of delightfully crafted tales, which open up a new view to the world around us while adding a small touch of imagination along the way.”—Bookworm for Kids Anna Anisimova is a journalist, editor, and children’s book writer. Born and raised in the north of the Irkutsk region, in the village of Kropotkin, Siberia, Anisimova graduated with a degree in journalism from Novosibirsk State University. Anismova has written more than 10 books and been nominated for several literary awards including the Samuil Marshak Literary Prize, the New Children’s Book Prize, the Vladislav Krapivin International Children’s Literature Prize and others. Ruth Ahmedzai Kemp is a literary translator working from Arabic, German and Russian into English. She translates fiction and nonfiction, and has a particular interest in history, historical fiction, and writing for children and young adults.Her translations include books from Germany, Jordan, Morocco, Palestine, Russia, Switzerland and Syria. Ruth is a passionate advocate of world literature for young people and diversity in children’s publishing. She is co-editor of ArabKidLitNow! and Russian Kid Lit blogs, and writes about global reading for young people at World Kid Lit, Words Without Borders, and World Literature Today.

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YouTube Video UExiNzl4bjFRVHczejdGNHA0VGdCZ2x3ZHlaN3JjRmNweS41OURENDc2NEM1MDI5Mjky

Ruth Ahmedzai Kemp reads from Anna Anisimova's THE INVISIBLE ELEPHANT (Restless Books, 2023)

Translators Aloud 25 Sep, 2024 6:00 pm

Rafsa Rumplefur (Rafsa Vildpäls in the original Swedish) is the first book in a trilogy for children aged between about eight and twelve, The Battle for Stony Glade (Kampen om Stenåkern). Rafsa Rotlös (Rafsa Rootless) came out in 2024, and the last volume of the trilogy is due out in the spring of 2025. Feisty Rafsa and her best friend Fircone are young marmots growing up in a forest glade, in which the marmot settlement is beleaguered by hostile vipers. Marmot society revolves around the mother marmots, who keep the settlement running, while the father marmots are relegated to the forest by the vipers for part of the year. Viper society is autocratic, militarized and brutal. As Rafsa and Fircone discover, vipers themselves can also be victims of their repressive regime. Conversely, animals of good will can join together across species to battle oppression and stand up for freedom. Reminiscent of Watership Down, Rafsa Rumplefur will appeal to children who enjoy an adventurous tale about friendship, courage, and the struggle not to gobble up the very last rowanberry after awaking from hibernation. Publisher: Förlaget M (Helsinki) Foreign rights: Rights & Brands, publishing@rightsandbrands.com, hanna.pajunen-walsh@rightsandbrands.com Author and illustrator bio Lena Frölander-Ulf, born in 1976, is a prize-winning Finnish author, illustrator of children’s books, and artist. Her chapter book Nelson Tigertass (Nelson Tigerpaw, 2019) was awarded the Arvid Lydecken Prize, and both Nelson and her earlier picture books about a dog called Fidel have been nominated for awards including the Finlandia Prize, Finland’s Runeberg Junior Prize, and the Nils Holgersson Plaque, awarded by the Swedish Library Association for the best children’s or young people’s book published in the Swedish language. Rafsa Vildpäls (Rafsa Rumplefur) was nominated for the 2024 Runeberg Junior Prize from among 124 children’s books published in Finland. For further information about Lena Frölander-Ulf and her books, and examples of her artwork, visit her website: https://www.lenafrolanderulf.com/ Translator bio Fiona Graham has many years’ experience as a translator and editor at the Dutch Foreign Office, the European Parliament, and the European Commission. She holds a BA Honours (1st Class) in German and French (Oxford), an MA in linguistics (Reading) and a BSc. Hons (1st Class, Open University). Fiona’s translations from Swedish include 1947: When Now Begins by Elizabeth Åsbrink, an English Pen award-winner longlisted for the Warwick Women in Translation award and the JQ Wingate Literary Prize; The Re-Origin of Species by Torill Kornfeldt, a Telegraph book of the year (2018); and Elin Anna Labba’s August Prize-winning The Rocks Will Echo Our Sorrow: the forced displacement of the Northern Sámi. For more information about Fiona’s work, see: https://swedishenglish.org/user/fionagraham/

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Fiona Graham reads from Lena Frölander-Ulf's RAFSA RUMPLEFUR (seeking a publisher)

Translators Aloud 18 Sep, 2024 6:00 pm

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Bilingual Readings

Distant Signs: A Novel by Anne Richter, translated by Douglas Irving, published in 2019 by Neem Tree Press. Distant Signs is an intimate portrait of two families spanning three generations amidst turbulent political change, behind and beyond the Berlin Wall. In 1960s East Germany, Margret, a professor’s daughter from the city, meets and marries Hans, from a small village in the Thuringian forest. The couple struggle to contend with their different backgrounds, and the emotional scars they bear from childhood in the aftermath of war. As East German history gradually unravels, with collision of the personal and political, acutely observed vignettes quietly reveal their two families’ hidden truths. “I don't know that I've read a more moving piece of post-war German fiction - and this includes Günther Grass's best efforts.” Misha, US Online Blog Tour Reviewer

Distant Signs: A Novel
by Anne Richter, translated by Douglas Irving, published in 2019 by Neem Tree Press.

Distant Signs is an intimate portrait of two families spanning three generations amidst turbulent political change, behind and beyond the Berlin Wall.

In 1960s East Germany, Margret, a professor’s daughter from the city, meets and marries Hans, from a small village in the Thuringian forest. The couple struggle to contend with their different backgrounds, and the emotional scars they bear from childhood in the aftermath of war. As East German history gradually unravels, with collision of the personal and political, acutely observed vignettes quietly reveal their two families’ hidden truths.

“I don't know that I've read a more moving piece of post-war German fiction - and this includes Günther Grass's best efforts.”

Misha, US Online Blog Tour Reviewer

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YouTube Video UExiNzl4bjFRVHczeWRhUVloaDloc0NXSGJoRUwzdk1EYy41NkI0NEY2RDEwNTU3Q0M2

Anne Richter and translator Douglas Irving read from DISTANT SIGNS (Neem Press, 2019)

Translators Aloud 6 Aug, 2020 8:00 am

From the publisher (World Literature Today): “In this story of lengthy quarantine due to an unnamed virus, a woman sneaks into the mountain to collect ferns—many ferns. Simultaneously evoking life under past Chilean political oppression and living under recent worldwide quarantines due to Covid-19, this Cortazarian story marks the author’s English-language debut.” Catalina Infante Beovic is a Chilean writer, publisher, journalist, and teacher. Follow Catalina on Instagram at @catalinainfantebeovic Michelle Mirabella is a Spanish to English translator studying at the Middlebury Institute of International Studies in Monterey. Follow Michelle on Instagram at @mirabella_michelle and Twitter at @MirabellaM_ Find the story at: English translation, published by World Literature Today in 2020: https://www.worldliteraturetoday.org/blog/fiction/ferns-catalina-infante-beovic Spanish, published by Neón Ediciones: https://www.librospatagonia.com/library/publication/helechos Follow World Literature Today on Twitter at @worldlittoday.

From the publisher (World Literature Today): “In this story of lengthy quarantine due to an unnamed virus, a woman sneaks into the mountain to collect ferns—many ferns. Simultaneously evoking life under past Chilean political oppression and living under recent worldwide quarantines due to Covid-19, this Cortazarian story marks the author’s English-language debut.”
Catalina Infante Beovic is a Chilean writer, publisher, journalist, and teacher. Follow Catalina on Instagram at @catalinainfantebeovic
Michelle Mirabella is a Spanish to English translator studying at the Middlebury Institute of International Studies in Monterey. Follow Michelle on Instagram at @mirabella_michelle and Twitter at @MirabellaM_

Find the story at:
English translation, published by World Literature Today in 2020: https://www.worldliteraturetoday.org/blog/fiction/ferns-catalina-infante-beovic
Spanish, published by Neón Ediciones: https://www.librospatagonia.com/library/publication/helechos

Follow World Literature Today on Twitter at @worldlittoday.

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YouTube Video UExiNzl4bjFRVHczeWRhUVloaDloc0NXSGJoRUwzdk1EYy4yODlGNEE0NkRGMEEzMEQy

Catalina Infante and translator Michelle Mirabella read from “Ferns” (World Literature Today)

Translators Aloud 27 Aug, 2020 8:00 am

It’s 2007 and we are in Bilbao, worn out by the final blows of Basque terrorism. Gorane and Jokin are twenty-five year old twins and children of ETA militants. Raised without rules, they take opposing and complementary directions: compliant and passive to everything, Jokin, a heroin-addict drummer, seems to follow in his parents’ footsteps, while Gorane, ambiguous and introverted, pulls away seeking refuge in an abstract world. When Jokin runs away and their parents become involved in a tragic event, Gorane finds herself prey to strange hallucinations of her parents. Meanwhile in Paris, Jokin struggles with his attraction to the mysterious Germana, yet, despite the distance, the twins’ lives seem destined to never separate and it will be a French writer’s novel that reconnects them. The Melee is a polyphonic work; a world that connects reality to our most recondite dreams, a world where the only driving force seems to be blind violence. Can freedom reveal itself to be an instrument of torture, and can empathy that resists absolutism prevail in the face of trauma? Valentina Maini responds in the pages of this provocative debut and its web of stories connecting drug dealers, smugglers, psychiatrists, writers, cleaners and fortune tellers - and she does it with the conviction of Roberto Bolaño and Mathias Énard: looking chaos directly in the eye. THE MELEE BY VALENTINA MAINI (PUBLISHED IN ITALIAN BY BOLLATI BORINGHIERI, 2020) FIRST PLACE IN THE L'INDISCRETO QUALITY RANKINGS SHORTLISTED FOR THE SEVERINO CESARI DEBUT AWARD 2020 SHORTLISTED FOR THE FONDAZIONE MONDADORI DEBUT AWARD 2020 CHOSEN BY KOBO IN THEIR 50 BOOKS TO DEFY AND SURVIVE THE YEAR 2020 “What is great European literature today? The Melee by Valentina Maini has the range and complexity to fit the bill and the ambition to be part of it.” VERONICA RAIMO (The Girl at the Door) “There are writers who, more than make their debut, burst onto the scene. By writing novels that play havoc with all the rules. Valentina Maini is one of them.” ANDREA BAJANI (If You Kept a Record of Sins; Every Promise) “Redolent of Clarice Lispector and Roberto Bolano, a haunted, captivating, poetic novel that tells the story of two children of ETA and their quest for life and the future under the tight rein of a true artist and her unique, visionary freedom of language.” MARTA BARONE (Città sommersa) “In The Melee, Valentina Maini unfurls a notable variety of textual typologies – reports, statements, recordings, a novel within the novel – showing that it is still possible to tell stories in an impressive, original manner.” WU MING 2 (Q; Manituana; 54) Valentina Maini was born in Bologna in 1987. She completed her PhD in Comparative Literature between Bologna and Paris and has published short stories in retabloid, TerraNullius, Atti Impuri, Horizonte, and other magazines. Some of her articles have appeared in Poetiche, La Deleuziana, and Classiques Garnier. With her collection of poetry, Casa Rotta (2016), she won the Anna Osti literary prize. She translates from French and from English into Italian. Sean McDonagh is an emerging literary translator who translates from Italian. He is based in London where he works in publishing, and has been pursuing literary translation projects since participating in the Warwick Translates Summer School 2019. He has had a translation published on Asymptote, and as a poet has also had work published on Allegro, Rockland and Foxtrot Uniform. Sean has a BA in English, has lived and studied in Turin, and has completed an advanced course at the Italian Cultural Institute. @seanpjamcdonagh (Twitter) seanmcdonaghtranslator.com For rights info, contact: Flavia Abbinante - flavia.abbinante@bollatiboringhieri.it Rights Sold: Portuguese The translator has obtained permission from the original rights holder to translate this sample and share a recording of it on Translators Aloud. TO READ A LONGER EXTRACT, please visit: seanmcdonaghtranslator.com/projects-seeking-a-publisher

It’s 2007 and we are in Bilbao, worn out by the final blows of Basque terrorism. Gorane and Jokin are twenty-five year old twins and children of ETA militants. Raised without rules, they take opposing and complementary directions: compliant and passive to everything, Jokin, a heroin-addict drummer, seems to follow in his parents’ footsteps, while Gorane, ambiguous and introverted, pulls away seeking refuge in an abstract world. When Jokin runs away and their parents become involved in a tragic event, Gorane finds herself prey to strange hallucinations of her parents. Meanwhile in Paris, Jokin struggles with his attraction to the mysterious Germana, yet, despite the distance, the twins’ lives seem destined to never separate and it will be a French writer’s novel that reconnects them.

The Melee is a polyphonic work; a world that connects reality to our most recondite dreams, a world where the only driving force seems to be blind violence. Can freedom reveal itself to be an instrument of torture, and can empathy that resists absolutism prevail in the face of trauma? Valentina Maini responds in the pages of this provocative debut and its web of stories connecting drug dealers, smugglers, psychiatrists, writers, cleaners and fortune tellers - and she does it with the conviction of Roberto Bolaño and Mathias Énard: looking chaos directly in the eye.

THE MELEE BY VALENTINA MAINI (PUBLISHED IN ITALIAN BY BOLLATI BORINGHIERI, 2020)

FIRST PLACE IN THE L'INDISCRETO QUALITY RANKINGS

SHORTLISTED FOR THE SEVERINO CESARI DEBUT AWARD 2020

SHORTLISTED FOR THE FONDAZIONE MONDADORI DEBUT AWARD 2020

CHOSEN BY KOBO IN THEIR 50 BOOKS TO DEFY AND SURVIVE THE YEAR 2020

“What is great European literature today? The Melee by Valentina Maini has the range and complexity to fit the bill and the ambition to be part of it.”
VERONICA RAIMO (The Girl at the Door)

“There are writers who, more than make their debut, burst onto the scene. By writing novels that play havoc with all the rules. Valentina Maini is one of them.”
ANDREA BAJANI (If You Kept a Record of Sins; Every Promise)

“Redolent of Clarice Lispector and Roberto Bolano, a haunted, captivating, poetic novel that tells the story of two children of ETA and their quest for life and the future under the tight rein of a true artist and her unique, visionary freedom of language.”
MARTA BARONE (Città sommersa)

“In The Melee, Valentina Maini unfurls a notable variety of textual typologies – reports, statements, recordings, a novel within the novel – showing that it is still possible to tell stories in an impressive, original manner.”
WU MING 2 (Q; Manituana; 54)


Valentina Maini was born in Bologna in 1987. She completed her PhD in Comparative Literature between Bologna and Paris and has published short stories in retabloid, TerraNullius, Atti Impuri, Horizonte, and other magazines. Some of her articles have appeared in Poetiche, La Deleuziana, and Classiques Garnier. With her collection of poetry, Casa Rotta (2016), she won the Anna Osti literary prize. She translates from French and from English into Italian.

Sean McDonagh is an emerging literary translator who translates from Italian. He is based in London where he works in publishing, and has been pursuing literary translation projects since participating in the Warwick Translates Summer School 2019. He has had a translation published on Asymptote, and as a poet has also had work published on Allegro, Rockland and Foxtrot Uniform. Sean has a BA in English, has lived and studied in Turin, and has completed an advanced course at the Italian Cultural Institute.

@seanpjamcdonagh (Twitter)
seanmcdonaghtranslator.com

For rights info, contact: Flavia Abbinante - flavia.abbinante@bollatiboringhieri.it
Rights Sold: Portuguese

The translator has obtained permission from the original rights holder to translate this sample and share a recording of it on Translators Aloud.
TO READ A LONGER EXTRACT, please visit: seanmcdonaghtranslator.com/projects-seeking-a-publisher

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Valentina Maini and translator Sean McDonagh read from THE MELEE (seeking a publisher)

Translators Aloud 10 Dec, 2020 9:00 am

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